Sunday, February 22, 2009
bilvapatra or the Bel leaves
How to appease Lord Shiv on Mahashivratri
|| shrI durgAshhTottarashatanAmastotram.h ||
Ishvara uvAcha |
shatanAma pravaxyAmi shR^iNushhva kamalAnane |
yasya prasAdamAtreNa durgA prItA bhavet.h satI || 1||
OM satI sAdhvI bhavaprItA bhavAnI bhavamochanI |
AryA durgA jayA chAdyA trinetrA shUladhAriNI || 2||
pinAkadhAriNI chitrA chaNDaghaNTA mahAtapAH |
mano buddhiraha.nkArA chittarUpA chitA chitiH || 3||
sarvamantramayI sattA satyAnanda svarUpiNI |
anantA bhAvinI bhAvyA bhavyAbhavyA sadAgatiH || 4||
shAmbhavI devamAtA cha chintA ratnapriyA sadA |
sarvavidyA daxakanyA daxayaGYavinAshinI || 5||
aparNAnekavarNA cha pATalA pATalAvatI |
paTTAmbara parIdhAnA kalamaJNjIraraJNjinI || 6||
ameyavikramA krurA sundarI surasundarI |
vanadurgA cha mAtaN^gI mataN^gamunipUjitA || 7||
brAhmI mAheshvarI chaindrI kaumArI vaishhNavI tathA |
chAmuNDA chaiva vArAhI laxmIshcha purushhAkR^itiH || 8||
vimalotkarshhiNI GYAnA kriyA nityA cha buddhidA |
bahulA bahulapremA sarvavAhana vAhanA || 9||
nishumbhashumbhahananI mahishhAsuramardinI |
madhukaiTabhahantrI cha chaNDamuNDavinAshinI || 10||
sarvAsuravinAshA cha sarvadAnavaghAtinI |
sarvashAstramayI satyA sarvAstradhAriNI tathA || 11||
anekashastrahastA cha anekAstrasya dhAriNI |
kumArI chaikakanyA cha kaishorI yuvatI yatiH || 12||
aprauDhA chaiva prauDhA cha vR^iddhamAtA balapradA |
mahodarI muktakeshI ghorarUpA mahAbalA || 13||
agnijvAlA raudramukhI kAlarAtristapasvinI |
nArAyaNI bhadrakAlI vishhNumAyA jalodarI || 14||
shivadUtI karAlI cha anantA parameshvarI |
kAtyAyanI cha sAvitrI pratyaxA brahmavAdinI || 15||
ya idaM prapaThennityaM durgAnAmashatAshhTakam.h |
nAsAdhyaM vidyate devi trishhu lokeshhu pArvati || 16||
dhanaM dhAnyaM sutaM jAyAM hayaM hastinameva cha |
chaturvargaM tathA chAnte labhenmuktiM cha shAshvatIm.h || 17||
kumArIM pUjayitvA tu dhyAtvA devIM sureshvarIm.h |
pUjayet.h parayA bhaktyA paThennAmashatAshhTakam.h || 18||
tasya siddhirbhaved.h devi sarvaiH suravarairapi |
rAjAno dAsatAM yAnti rAjyashriyamavApnuyAt.h || 19||
gorochanAlaktakakuN^kumeva sindhUrakarpUramadhutrayeNa |
vilikhya yantraM vidhinA vidhiGYo bhavet.h sadA dhArayate purAriH ||
20||
bhaumAvAsyAnishAmagre chandre shatabhishhAM gate |
vilikhya prapaThet.h stotraM sa bhavet.h saMpadAM padam.h || 21||
Marriage of Shiva and Shakti
Legend of Shivratri
Mahashivratri - the day to appease the destroyer
Saturday, February 21, 2009
Kedarnath
Monday, February 16, 2009
Festivals of the Lord
This is Celebrated from the tenth day of the bright fortnight of Falguna up to the full moon day. The representative deities Dologobinda, Bhudevi and Sreedevi are taken in a procession to Dolabedi located outside the outer compound wall of the main Temple and special rites are performed.
CHANDAN YATRA
This Takes place in the month of Vaisaksha and continues for long 42 days. But, generally speaking it is a Festival of first 21 days only. The first period of 21 days is known as "Bahar Chandan"or outer Chandan. During this period, the representative images of Rama,Krushna, Madanmohan,Sridevi and Bhudevi are taken in a procession to Narendra tank.The images of Siva from 5 Siva Temples known as "Pancha Pandavas" also accompany them to the Narendra tank, At Narendra tank the images play in well decorated boats and are worshipped. The second period of 21 days known as "Bhitar Chandana" is celebrated inside the Temple. The rites observed on this period are not popularly enjoyed.
SNANA YATRA
This Festival takes places in the month of Jestha. it is popularly known as the Deba Snana Purnima.This is the first occasion in the course of a year when the deities Jagannath, Balabhadra,Subhadra along with Sudarsan and Madanmohan are brought out from the Temple and taken in procession to Snana Bedi located in the North East corner of the outer compound.The deities are bathed there with 108 pitchers of water drawn from a well near the Northern Gate. Here,Jagannath and Balabhadra are dressed like Lord Ganesh of the Purans with the head of an elephant. Lord Balabhadra, Devi Subhadra & Lord Jagannath in Snana Bedi Click to enlarge Three Ratha(Chariot) The Chariots The three Chariots of Balabhadra,Subhadra and Jagannath are constructed each year with Sal wood, customarily brought from the exprincely State of Dasapalla,by a specialist team of carpenters who have hereditary rights for this.Lorrd Jagannth's Chariot is called nandighosa. it is forty-five feet square at the wheel level.It has sixteen wheels,each of seven feet diameter, and is decked with rred and yellow coverings of cloth. The Chariot of Lord Balabhadra,called the Taladhwaja,has fourteen wheels,each of seven feet diameter, and is covered with red and blue cloth.Its height is forty-four feet. The Chariot of Subhadra,known as darpadalan is forty-three feet high with twelve wheels, each of seven feet diameter. This Chariot is decked with the coverings of red and black cloth. Around each of the Chariots are nine Parsvadevatas, the guardian deities,and four horses. Each chariot has a Charioteer called Sarathi,Matali,Darruka and Arjuna are the three charioters attached respectively to the three Chariots of Jagannath, Balabhadra and Subhadra.
NAVAKALEVARA
As a man discarding worn out clothes takes other new ones,so also the embodied soul, casting off worn out bodies enters into others which are new.In the light of this truth of the Bhagavat Geeta, Navakalevar can be interpreted as a ceremony for entering into new bodies, when Lord Jagannath, Balabhadra, Subhadra and Sudarshan cast off their old bodies and take new ones. It is called Navakalevar. The year which has two months of Ashadha is regarded auspicious for Navakalevar ceremony.It usually occurs in 8,11 or 19 years. The new bodies of the deities are made out of the newly cut Yeem trees. The previous navakalevars were held in 1733,1744, 1752, 1771, 1790, 1809, 1828, 1836, 1855, 1874, 1893, 1912, 1931, 1950, 1969, 1977 and 1996.
RATHA YATRA (Chariot Festival)
The most splendid of the innumerable festivals celebrated round the year in the holy city of Puri, the Ratha Yatra is the grand culmination of a series of celebrations spread over the summer and the monsoon months.
Akshaya Trutiya tithi marks the beginning of the construction of the Rathas (chariots) for the ceremonial journey and sojourn of Lord Jagannath, Balabhadra and Subhadra at the Gundicha Temple for a week.
On the full-moon day of the month of Jyestha (May-June) in the Snana Yatra, the Bathing Festival, when the three deities move in colourful processions to a platform in the outer enclosure of the temple, the Snana Vedi, the bathing platform, where they bath with one hundred and eight pitchers of perfumed water drawn from a temple well once a year. After the ritual bath, the deities assume the special elephant form, recalling the legend of the Lord's affection for a devotee, whom He proved that he was in fact another manifestation of Lord Ganesha.
At the end of the Snana Yatra day, the holy triad,supposedly afflicted with fever, do not return to their pedestal in the sanctum.they stay away from the public view for a period of fifteen days, called Anasara, after which they appear in their Navayauvana Vesha, literally a renewed youth, on the new moon day of the Month of Ashadha.During this fortnight the icons get a fresh coat of painting which gets washed out on the day of the Bathing Festival. During this period the deities eat only fruits other restricted diet and soft drinks.Cloth paintings. representing the deities called Anasara Pati, are displayed beyond the enclosures hiding the deities from the devotees to see and worship.
Finally comes the Ratha Yatra on the second day of the bright fortnight of the month of Ashadha, when the three deities come out of the temple in a specacular procession called Pahandi. The deities, which are colossal wooden statues, adorned with giant floral crowns, called Tahias, are literally pulled, pushed and dragged in rhythmic movement to the accompaniment of the beat of cymbals, drums and chanting of their names in chorus by devotees in frenzied ecstasy. After all the deities are seated in their respective chariots starts the Chhera Pamhara, the ritual of sweeping of the chariots with a golden broom by the Gajapati King of Puri,the foremost servant of God,the Adya sevaka of Lord Jagannath. The King comes from his palace on a richly decorated palanquin. Chhera Pamhara is a symbolic rite which proclaims that the King, like others, is but an humble servant of the real sovereign, Lord Jagannath.
The most exciting part of the Rath yatra is the pulling of chariots by thousands of people who lay their hands on the sturdy ropes and drag the massive structures along the Bada-Danda,the grand road. The chariot of Balabhadra moves first, followed by those of Subhadra and Jagannath. The chariots grind forward slowly until they reach the Gundicha temple and the three deities rest for a night at the entrance on their own chariots. They enter the Gundicha temple on the next day in the usual Pahandi style and stay there for seven days.
Godess Laxmi,who gets angry for being left out at the temple, proceeds to the Gundicha temple to meet her Lord, Jagannath , on the Hera Panchami day,the fifth day of the fortnight. After having a stealthy look at her Lord, she returns to the temple, damaging a part of Jagannath's chariot in anger and disgust.
The deities, after the seven-day stay at Gundicha Temple, their garden house, commence their return journey. It is called Bahuda Yatra held on the tenth day of bright fortnight of Ashadha. The return of the chariots takes place in the same order as in the Rath Yatra. Balabhadra’s chariot moves first,followed by those of Subhadra and Jagannath. On his way back,Jagannath stops for a while at Ardhasani temple, popularly called Mausi Ma temple or the temple of Aunt. He accepts from the aunt His favourite rice cake,Poda Pitha. The three chariots pulled by thousands of devotees, reach back the Simhadwara in the late afternoon of the Bahuda day and the deities remain seated on their chariots. On the next day known as the Bada Ekadasi,the three deities, are attired in costumes of glittering gold and are worshipped by thousands of devotees. This form of the deities is known as the famous Suna Vesa. On the Dwadasi day, the three deities go back to their original place,the Ratna Simhasana, literally the jewelled platform, with the usual fanfare and the Pahandi style.Their arrival into the Sanctum sanctorum marks the end of the Ratha Yatra the grand festival of chariots.
The Chariots
The three Chariots of Balabhadra,Subhadra and Jagannath are constructed each year with Sal wood, customarily brought from the exprincely State of Dasapalla,by a specialist team of carpenters who havehereditary rights for this.Lorrd Jagannth's Chariot is called nandighosa. it is forty-five feet square at the wheel level.It has sixteen wheels,each of seven feet diameter,and is decked with rred and yellow coverings of cloth.
The Chariot of Lord Balabhadra,called the Taladhwaja, has fourteen wheels, each of seven feet diameter, and is covered with red and blue cloth. Its height is forty-four feet.
The Chariot of Subhadra,known as darpadalan is forty-three feet high with twelve wheels, each of seven feet diameter. This Chariot is decked with the coverings of red and black cloth.
Around each of the Chariots are nine Parsvadevatas, the guardian deities, and four horses. Each chariot has a Charioteer called Sarathi,Matali,Darruka and Arjuna are the three charioters attached
respectively to the three Chariots of Jagannath, Balabhadra and Subhadra.
Mahaprasad
According to " Skanda Purana" Lord Jagannath redeems the devotees by permitting them to partake his Mahaprasad,to have His darshan and to worship him by observing rituals and by offering of gifts .Mahaprasad is treated here as 'Anna Brahma'. The temple kitchen has got the capacity to cook for a lakh of devotees on a day. Mahaprasad is cooked only in earthen pots and medium of food is fire wood only. The steam-cooked food is offered to Lord Jagannath first and then to Goddess Bimala after which it becomes Mahaprasad.This Mahaprasad is freely partaken by people of all castes and creeds without any discrimination.The items offered include cooked rice, dal, vegetable curry, sweet-dishes, cakes etc. Dry confectionaries are prepared of sugar,gur,wheat flour,ghee,milk and cheese etc.
Mahaprasad consolidates human bond, sanctifies sacraments and grooms the departing soul for its journey upwards.
Mahaprasad are sold in Anand Bazar or the Pleasure Mart of the temple which is situated on the north east corner of the outer enclosure of the temple. It is the biggest open-air hotel in the world where every day thousands of devotees purchase and eat together forgetting their caste, creed and status.
Most of the residents in and around Puri depend upon this Mahaprasad to entertain their guests during social functions such as threading and weddings.
The tourists prefer to carry a particular type of dry Mahaprasad known as" Khaja" (made of maida, sugar and ghee) which stays fresh for days together.
Dried rice Mahaprasad known as “Nirmalya” is also used by devotees and tourists for different sacred occasions.
Servitors of the Lord
SERVITORS(Sevayats)
The persons entrusted in the Seva-Puja(ritual services) of the deities are known as Sevayats or Sevakas(servitors). Most of them enjoy hereditary rights to perform the ritual services.
THE SEVAKA COMMUNITY
In the past there was provision of " 36 Nijogas " or 36 types of sevakas in the Jagannath Temple. But in practice the real seva is much higher than this. According to the report of the then Collector,Puri Mr Grome in 1805 thirty six types of seva increased further. The Record of Rights of Sri Jagannath Temple spells about 119 categoris of Sevas which is stated as follows.
SEVA LIST
1. Gajapati Maharaja
2. Parichha or Rajaguru
3. Chhatisa Nijog Naik Patajoshi Mahapatra
4. Bhitarachha
5. Talichha
6. Mudirasta
7. Deula Purohit
8. Puja Panda
9. Bada Panda
10. Puspalak
11. Mahajan
12. Mudra
13. Khuntia
14. Bhandar Mekap
15. Palia Mekap
16. Akhand Mekap
17. Changada Mekap
18. Khata Seja Mekap
19. Pratihari
20. Daita
21. Pati Mahapatra
22. Patribadu
23. Garabadu
24. Suarbadu
25. Khuri Naik
26. Mukha Pakhala
27. Ghatuari Oger
28. Gochhikar
29. Sunagoswami
30. Muduli
31. Alati Balita Sevak
32. Puran Panda
33. Dutta Mahapatra
34. Lugadhua & Panikunda Sevak
35. Ballav Jogania
36. Bimanbadu
37. Anasar Sudha Suar & Sudha Suar
38. Hadap Naik
39. Bidia Jogania
40. Khatuli Sevak
41. Asan Pratihari
42. Kothabhog Jogania
43. Pradhani
44. Paika
45. Lenka
46. Suar Nijog Naik
47. Suar Nijog & Mahasuar
48. Jagia Mahasuar
49. Badu Suar Thala, Tuna, & Amalu Suar
50. Pantibadu
51. Amalu Tola,Pura Kharadi
52. Tolabadu
53. Rosa Paika
54. Bahara Deuli Suar
55. Bahara Deuli Jogania
56. Rosa Dhopakhalia, Angarua,Gobar Pania & Rabadia
57. Handi Jogania Tolabadi
58. Birimunda Samartha
59. Kotha Bhoga Pania
60. Panikipata
61. Nikap & Gandhan Nikap
62. Biri Buha
63. Daudi Bala
64. Chunara
65. Sabat Nijog
66. Paniapat
67. Mandani
68. Chakaapasar
69. Mulia Suansua
70. Binakar
71. Darpania
72. Kotha Suansua
73. Mahabhoi
74. Gitagobind75. Bhitara Gaeni
76. Samprada Nijog
77. Dayanamali
78. Madeli
79. Prasad Badu,Badu Mahapatra
80. Tatua
81. Patar Bundha
82. Baijayanti
83. Chhatar Nijog
84. Kahalia
85. Sankhua
86. Parbyatra Jogania
87. Chitrakar
88. Rupakar
89. Bania
90. Damara Bisoi
91. Karatia
92. Bentabindha Paika
93. Patara Bisoi
94. Kala Bethia
95. Daraji Seva
96. Kumbhar Bisoi
97. Rath Bhoi
98. Mala Chula
99. Banua
100. Chakradihudi
101. Ojha Maharana
102. Ghanta Seva
103. Ghantua
104. Rath Dahuka
105. Badhei
106. Baidya
107. Amunia Chhatar
108. Chhamudihudi
109. Chapadehera
110. Chapa Dalei
111. Mapasaita Karan
112. Chadhhau Karan
113. Deula Karan
114. Baitha Karan
115. Kotha Karan
116. Churcha Karan
117. Dayanapatra
118. Chaula Bachha Karan
119. Matha & Byaktigata Seva
DUES TO SEVAYATS
Various rewards are given to sevayats in cash and kind from the Temple Administration. A "Hundi" is placed in the Jagamohan of the temple since 23.8.83 for large scale donation. 90% of the Hundi fund is deposited in the Bank as foundation fund out of the interest money accruing from the foundation fund 50% goes to the Temple fund, 45% to the Sanskrit University and 5% to the Sevayats Welfare Fund.
On an average 80 sevaks perform ritual services everyday. Each of them is entitled to get a portion(known as khei) from the Raj-Bhoga or Kotha-Bhoga of the day. In addition to "Khei" , most of the sevaks are paid daily remuneration i.e. cash reward, according to the scales prescribed by the managing committee of the Temple. Some sevaks get reward in both cash and kind.
MARRIAGE SYSTEM OF SEVAKS
Sevayat Marriage System is a typical marriage system. Generally the Brahmin sevayat's marriage system is solely on Insist-marriage on Debaniti. They can marry only amongst brahmin sevayats for which they can marry within "Atharnala" the entry point of Puri. They cannot marry outside Puri and outcaste marriage is also prohibited. If one will do so then he will be outcasted and debarred of his paternal sevapuja in the temple. For Non-Brahmin sevayats this rule is not strictly followed.
In their marriage system the groom is to go first to the bride's house. Then the groom will return to his house. After that the groom will go alongwith Barayatri.Then after the marriage the groom will return alone to his house. The 2nd day of the marriage is called "Utchha" (Utchhaba). The brother-in-law will come for calling the groom. The groom will go and their "bandhan" will take place for both bride-groom.
The third day is called "Guali". On that day before sunrise the groom will again go alongwith his maternal uncle to bride's house. One ritual will take place in bride's house for both. On that night both bride and groom will return to the groom's house with procession. After that the bride will return to her house on that night. After 3-4 hours again the ladies from the groom's side will go and bring the bride. On 4th day normal ritual takes place.